Show Navigation
TRAVEL - other countries All Galleries

APOKRIGIOMATA IN GERGERI VILLAGE - GREECE

47 images Created 10 Jul 2019

Apokriyomata in Gergeri village of Crete island, Greece.
A time to enjoy and forget trouble and the Greek economic crisis, during a traditional festival with ancient roots.

At the village of Gergeri located in the mountains at the center of Crete island in southern Greece, every year traditional customs that have their roots in ancient times are reenacted under the name “Apokriyomata”. The name of the festival, comes from the word “Apokria” or in latin “carnem levāre” ("take away/remove meat") and in English “Carnival”, and it means the abstention from eating meat. The festival is held in the last days before a three week fasting in preparation for the Greek Easter, and mainly on the first Monday of the fasting, also called “Clean Monday”. During Apokriyomata, the actors dress in costumes made by goat furs and big bells that are usually worn by animals in farms, they parade in wooden masks, they reenact the tillage, a wedding and a funeral, while constantly joking, drinking, making noise with their bells, teasing people and dancing. The viewers are also called to participate by smudging their faces, drinking a local strong alcohol called “raki”, eating the offered food or by being taken in to the acts, and finally by joining the circle dance in the center of the village together with everyone else. The roots of the acts of this festival can be traced in ancient Greek Dionysus ceremonies and in local agricultural ceremonies that where meant to celebrate the coming of spring, the fertility of nature and people, to pray for good crops and to keep away evil. Similar festivals happen in many villages of Greece, either in the same time or in the beginning of January. Gergeri’s festival is quite particular as it is consisted by many different acts, of which some are native to Gergeri or to nearby villages and some are invited from other parts of Greece. The group of each act parades through the village until they reach it’s center where they perform the main part of their act. They joke and lough and in the end they all join a circle dance on the music played by local musicians.

Loading ()...

  • The groom to be of the odd couple that reenacts a comical and provocative wedding ceremony, on a rock at the mountain above Gergeri village.
    GERGERI-6182.jpg
  • Masks made by wooden buckets that are used to decorate the carriage that carries around the village the odd couple that reenacts a comical and provocative wedding ceremony. Rouvas, the name of the wider area (L) and Gergeri, the name of the village (R) are written on them.
    GERGERI-5661.jpg
  • Masks made by wooden buckets that are used to decorate the carriage that carries around the village the odd couple that reenacts a comical and provocative wedding ceremony. Rouvas, the name of the wider area (L) and Gergeri, the name of the village (R) are written on them.
    GERGERI-5686.jpg
  • The masks of Siva village. Young men of Siva Pirgiotissis village of Crete, coming down the mountain above Gergeri, while wearing their local masks made by the root of the plant “Athanatos”  (Agave Americana). The skillfully crafted masks are remnants of ancient totems and tree worshiping as the spirits of dead ancestors.
    GERGERI-5920.jpg
  • Bear-people on the mountain above Gergeri, jump in the air as part of their bear dance. Similar to the ancient Kouretes of Crete frenzied dance of clashing spear and shield, bear-people are dressed in goat fur and make noise with bells normally used on animals, hanged around their waists. During Clean Monday, the bear-people dance through their village tied by a rope and leaded by an experienced bear-man. <br />
On the right, the groom to be that will later reenact the wedding ceremony also joins the dance.
    GERGERI-5968.jpg
  • Bear-people on the mountain above Gergeri. Similar to the ancient Kouretes of Crete frenzied dance of clashing spear and shield, bear-people are dressed in goat fur and make noise with bells normally used on animals, hanged around their waists. During Clean Monday, the bear-people dance through their village tied by a rope and leaded by an experienced bear-man.
    GERGERI-5772.jpg
  • The sage herb ladies and their queen. In Nivritos village that is very close to Gergeri, a traditional custom that is based on the time of the year when people go to the mountain to collect sage, is performed. Women with dresses made of sacks decorated with sage, are tied together on a rope and pulled through the village by their queen, a young man dressed in women’s clothes. The queen symbolizes the herb itself as the Queen Sage. Sage was very important as in times of poverty, collecting it from the mountain and selling it, helped the village people survive. The some times wild behavior of the group also reminds of the in ecstatic frenzy female followers of Dionysus maenads, with the sage-queen as the god himself, as he was often portrayed as an effeminate long-haired youth. The group also takes part in the Clean Monday Apokriyomata of Gergeri village.
    GERGERI-NIVRITOS-7410.jpg
  • The sage herb ladies and their queen. In Nivritos village that is very close to Gergeri, a traditional custom that is based on the time of the year when people go to the mountain to collect sage, is performed. Women with dresses made of sacks decorated with sage, are tied together on a rope and pulled through the village by their queen, a young man dressed in women’s clothes. The queen symbolizes the herb itself as the Queen Sage. Sage was very important as in times of poverty, collecting it from the mountain and selling it, helped the village people survive. The some times wild behavior of the group also reminds of the in ecstatic frenzy female followers of Dionysus maenads, with the sage-queen as the god himself, as he was often portrayed as an effeminate long-haired youth. The group also takes part in the Clean Monday Apokriyomata of Gergeri village.
    GERGERI-NIVRITOS-6841.jpg
  • One of the sage ladies with the pans they hit for making noise. In Nivritos village that is very close to Gergeri, a traditional custom that is based on the time of the year when people go to the mountain to collect sage, is performed. Women with dresses made of sacks decorated with sage, are tied together on a rope and pulled through the village by their queen, a young man dressed in women’s clothes. The queen symbolizes the herb itself as the Queen Sage. Sage was very important as in times of poverty, collecting it from the mountain and selling it, helped the village people survive. The some times wild behavior of the group also reminds of the in ecstatic frenzy female followers of Dionysus maenads, with the sage-queen as the god himself, as he was often portrayed as an effeminate long-haired youth. The group also takes part in the Clean Monday Apokriyomata of Gergeri village.
    GERGERI-NIVRITOS-7076.jpg
  • One of the sage ladies with branches of sage. In Nivritos village that is very close to Gergeri, a traditional custom that is based on the time of the year when people go to the mountain to collect sage, is performed. Women with dresses made of sacks decorated with sage, are tied together on a rope and pulled through the village by their queen, a young man dressed in women’s clothes. The queen symbolizes the herb itself as the Queen Sage. Sage was very important as in times of poverty, collecting it from the mountain and selling it, helped the village people survive. The some times wild behavior of the group also reminds of the in ecstatic frenzy female followers of Dionysus maenads, with the sage-queen as the god himself, as he was often portrayed as an effeminate long-haired youth. The group also takes part in the Clean Monday Apokriyomata of Gergeri village.
    GERGERI-NIVRITOS-7091.jpg
  • The sage herb ladies and their queen. In Nivritos village that is very close to Gergeri, a traditional custom that is based on the time of the year when people go to the mountain to collect sage, is performed. Women with dresses made of sacks decorated with sage, are tied together on a rope and pulled through the village by their queen, a young man dressed in women’s clothes. The queen symbolizes the herb itself as the Queen Sage. Sage was very important as in times of poverty, collecting it from the mountain and selling it, helped the village people survive. The some times wild behavior of the group also reminds of the in ecstatic frenzy female followers of Dionysus maenads, with the sage-queen as the god himself, as he was often portrayed as an effeminate long-haired youth. The group also takes part in the Clean Monday Apokriyomata of Gergeri village.
    GERGERI-NIVRITOS-7278.jpg
  • The sage herb ladies and their queen. In Nivritos village that is very close to Gergeri, a traditional custom that is based on the time of the year when people go to the mountain to collect sage, is performed. Women with dresses made of sacks decorated with sage, are tied together on a rope and pulled through the village by their queen, a young man dressed in women’s clothes. The queen symbolizes the herb itself as the Queen Sage. Sage was very important as in times of poverty, collecting it from the mountain and selling it, helped the village people survive. The some times wild behavior of the group also reminds of the in ecstatic frenzy female followers of Dionysus maenads, with the sage-queen as the god himself, as he was often portrayed as an effeminate long-haired youth. The group also takes part in the Clean Monday Apokriyomata of Gergeri village.
    GERGERI-NIVRITOS-7180.jpg
  • An older lady, dancing in teh sound of the banging pans of the sage herb ladies and their queen during a visit to her house. In Nivritos village that is very close to Gergeri, a traditional custom that is based on the time of the year when people go to the mountain to collect sage, is performed. Women with dresses made of sacks decorated with sage, are tied together on a rope and pulled through the village by their queen, a young man dressed in women’s clothes. The queen symbolizes the herb itself as the Queen Sage. Sage was very important as in times of poverty, collecting it from the mountain and selling it, helped the village people survive. The some times wild behavior of the group also reminds of the in ecstatic frenzy female followers of Dionysus maenads, with the sage-queen as the god himself, as he was often portrayed as an effeminate long-haired youth. The group also takes part in the Clean Monday Apokriyomata of Gergeri village.
    GERGERI-NIVRITOS-7152.jpg
  • Sage herb ladies and their queen as teh capture a passer by in Nivritos village.
    GERGERI-NIVRITOS-7322.jpg
  • The sage herb ladies and their queen. In Nivritos village that is very close to Gergeri, a traditional custom that is based on the time of the year when people go to the mountain to collect sage, is performed. Women with dresses made of sacks decorated with sage, are tied together on a rope and pulled through the village by their queen, a young man dressed in women’s clothes. The queen symbolizes the herb itself as the Queen Sage. Sage was very important as in times of poverty, collecting it from the mountain and selling it, helped the village people survive. The some times wild behavior of the group also reminds of the in ecstatic frenzy female followers of Dionysus maenads, with the sage-queen as the god himself, as he was often portrayed as an effeminate long-haired youth. The group also takes part in the Clean Monday Apokriyomata of Gergeri village.
    GERGERI-NIVRITOS-6992.jpg
  • The sage herb ladies and their queen. In Nivritos village that is very close to Gergeri, a traditional custom that is based on the time of the year when people go to the mountain to collect sage, is performed. Women with dresses made of sacks decorated with sage, are tied together on a rope and pulled through the village by their queen, a young man dressed in women’s clothes. The queen symbolizes the herb itself as the Queen Sage. Sage was very important as in times of poverty, collecting it from the mountain and selling it, helped the village people survive. The some times wild behavior of the group also reminds of the in ecstatic frenzy female followers of Dionysus maenads, with the sage-queen as the god himself, as he was often portrayed as an effeminate long-haired youth. The group also takes part in the Clean Monday Apokriyomata of Gergeri village.
    GERGERI-NIVRITOS-7381.jpg
  • The donkey and it’s leader. Two men under a wooden pole that ends in a donkey’s scull and is covered by a red carpet are acting as a donkey that is led by a man dressed in women’s clothes. The set is part of the carnival celebrations in Nivritos village as they go through the village carrying sage together with the sage ladies and their queen while performing comical acts. The custom symbolizes the importance of donkeys as it was the main way the villagers had for transporting goods through the mountains. They also take part in the Clean Monday Apokriyomata of Gergeri village.
    GERGERI-NIVRITOS-7309.jpg
  • Member of the festival troupe parading Nivritos village, inside the local coffee shop.
    GERGERI-NIVRITOS-7025.jpg
  • A sheepkeeper passing with his sheep by the herb sage ladies.
    GERGERI-NIVRITOS-7605.jpg
  • Bells used on the bear costumes of the apokriyomata festival in Gergeri village.
    GERGERI-NIVRITOS-7628.jpg
  • Getting ready for the festival inside a school building in Gergeri village.
    GERGERI-5378.jpg
  • Getting ready for the festival inside a school building in Gergeri village. . Making funny faces is past of the festival acts.
    GERGERI-5578.jpg
  • The fake priest getting ready for the festival inside a school building in Gergeri village.
    GERGERI-7776.jpg
  • Getting ready for the festival inside a school building in Gergeri village. .
    GERGERI-7859.jpg
  • During the festival, participants and guests paint their faces back.
    GERGERI-9031.jpg
  • kids group dresssed as bears. Similar to the ancient Kouretes of Crete frenzied dance of clashing spear and shield, bear-people are dressed in goat fur and make noise with bells normally used on animals, hanged around their waists. During Clean Monday, the bear-people dance through their village tied by a rope and leaded by an experienced bear-man.
    GERGERI-7970.jpg
  • Similar to the ancient Kouretes of Crete frenzied dance of clashing spear and shield, bear-people are dressed in goat fur and make noise with bells normally used on animals, hanged around their waists. During Clean Monday, the bear-people dance through their village tied by a rope and leaded by an experienced bear-man.
    GERGERI-8873.jpg
  • The tillage through Gergeri village. It is performed by two men dressed as oxen, pulling a plough controlled by a third man and there is one more man to lead them but also to plant new seeds. The reenactment of tillage is one of the most ancient spring agriculture customs and it can be found in many villages through the Balkans. It is meant to provoke and to celebrate the new vegetation of the land after the passing of winter.
    GERGERI-8301.jpg
  • Food that is offered during the Clean Monday Apokriyomata festival in Gergeri village.
    GERGERI-7995.jpg
  • Cretan man serving raki (trong local alcohol)
    GERGERI-8393.jpg
  • The wedding couple arriving on a specially decorated carriage. They reenact a wedding parody that is partly similar to a Christian wedding but it is also rooted in ancient Dionysus ceremonies symbolizing the uniting of male and female in nature, the fertility and the coexistence of opposite powers. The odd couple where the bride is a man bigger than the groom, through improvised and provocative comical acts entertains everyone in Apokriyomata, while at the same time challenging the norm.
    GERGERI-8540.jpg
  • The wedding couple arriving on a specially decorated carriage. They reenact a wedding parody that is partly similar to a Christian wedding but it is also rooted in ancient Dionysus ceremonies symbolizing the uniting of male and female in nature, the fertility and the coexistence of opposite powers. The odd couple where the bride is a man bigger than the groom, through improvised and provocative comical acts entertains everyone in Apokriyomata, while at the same time challenging the norm.
    GERGERI-8606.jpg
  • The wedding couple together with the face priest on stage. They reenact a wedding parody that is partly similar to a Christian wedding but it is also rooted in ancient Dionysus ceremonies symbolizing the uniting of male and female in nature, the fertility and the coexistence of opposite powers. The odd couple where the bride is a man bigger than the groom, through improvised and provocative comical acts entertains everyone in Apokriyomata, while at the same time challenging the norm.
    GERGERI-8791.jpg
  • The wedding couple together with the face priest on stage. They reenact a wedding parody that is partly similar to a Christian wedding but it is also rooted in ancient Dionysus ceremonies symbolizing the uniting of male and female in nature, the fertility and the coexistence of opposite powers. The odd couple where the bride is a man bigger than the groom, through improvised and provocative comical acts entertains everyone in Apokriyomata, while at the same time challenging the norm.
    GERGERI-8813.jpg
  • The group from Volacas village preforming as a guest custom.
    GERGERI-8468.jpg
  • “Arapis” or “Harapi” from Volakas village in northern Greece, performing a guest custom in Gergeri during Apokriyomata. Arapis costume is made by a thick felt-like fabric, it features a hunchback, heavy animal bells hanging around the waist, pig-fur shoes and a goat fur over the head and shoulders. The face is painted black by using ashes from the fireplace. Arapis dressed people move sideways while swinging their hips in order to make noise and they carry a wooden sword and a wooden club similar to the one used in ancient “Anthestiria” ceremonies. They act as protectors of the bride during the wedding reenactment. The roots of this character are set to be in ancient Dionysus ceremonies but also in the Christian tradition.
    GERGERI-7889.jpg
  • Harapi (R) and bride(L) from villacas village, perform as a guest custom.
    GERGERI-8449.jpg
  • Bear from Volakas village in northern Greece, performing a guest custom in Gergeri during Apokriyomata. The man dressed as a bear is fully covered by goat-fur and has a bell hanging from his waist, which he violently shakes as an erotic expression. In the background a man from Volakas is drumming. Bears are usually performing in groups and during their performances they often reenact mating scenes reminiscent of ancient fertility ceremonies probably related to Dionysus worship.
    GERGERI-8895.jpg
  • Member of the guest custom from Volakas village.
    GERGERI-8038.jpg
  • Bear from Volakas village in northern Greece, performing a guest custom in Gergeri during Apokriyomata. The man dressed as a bear is fully covered by goat-fur and has a bell hanging from his waist, which he violently shakes as an erotic expression. In the background a man from Volakas is drumming. Bears are usually performing in groups and during their performances they often reenact mating scenes reminiscent of ancient fertility ceremonies probably related to Dionysus worship.
    GERGERI-8418.jpg
  • “Arapis” or “Harapi” from Volakas village in northern Greece, performing a guest custom in Gergeri during Apokriyomata. Arapis costume is made by a thick felt-like fabric, it features a hunchback, heavy animal bells hanging around the waist, pig-fur shoes and a goat fur over the head and shoulders. The face is painted black by using ashes from the fireplace. Arapis dressed people move sideways while swinging their hips in order to make noise and they carry a wooden sword and a wooden club similar to the one used in ancient “Anthestiria” ceremonies. They act as protectors of the bride during the wedding reenactment. The roots of this character are set to be in ancient Dionysus ceremonies but also in the Christian tradition.
    GERGERI-9435.jpg
  • The funeral of Gergeri. A widow crying and singing improvised mourning songs over the dead man who arrived on a special hand carried platform made by a ladder and leaves. The widow is also a man and she together with the fake priest and other participants around him is trying to make the man acting dead to smile. When this is achieved, the man opens his eyes and jumps up, pulling everyone to join a frantic dance. This resurrection is a symbolic victory against death but at the same time it reminds of ancient Dionysus ceremonies where the character acting as the god dies and then resurrects, a symbolic representation of the cycle of nature that dies in winter and resurrects in spring.
    GERGERI-9250.jpg
  • The funeral of Gergeri. A widow crying and singing improvised mourning songs over the dead man who arrived on a special hand carried platform made by a ladder and leaves. The widow is also a man and she together with the fake priest and other participants around him is trying to make the man acting dead to smile. When this is achieved, the man opens his eyes and jumps up, pulling everyone to join a frantic dance. This resurrection is a symbolic victory against death but at the same time it reminds of ancient Dionysus ceremonies where the character acting as the god dies and then resurrects, a symbolic representation of the cycle of nature that dies in winter and resurrects in spring.
    GERGERI-9148.jpg
  • The funeral of Gergeri. A widow crying and singing improvised mourning songs over the dead man who arrived on a special hand carried platform made by a ladder and leaves. The widow is also a man and she together with the fake priest and other participants around him is trying to make the man acting dead to smile. When this is achieved, the man opens his eyes and jumps up, pulling everyone to join a frantic dance. This resurrection is a symbolic victory against death but at the same time it reminds of ancient Dionysus ceremonies where the character acting as the god dies and then resurrects, a symbolic representation of the cycle of nature that dies in winter and resurrects in spring.
    GERGERI-9281.jpg
  • The funeral of Gergeri. A widow crying and singing improvised mourning songs over the dead man who arrived on a special hand carried platform made by a ladder and leaves. The widow is also a man and she together with the fake priest and other participants around him is trying to make the man acting dead to smile. When this is achieved, the man opens his eyes and jumps up, pulling everyone to join a frantic dance. This resurrection is a symbolic victory against death but at the same time it reminds of ancient Dionysus ceremonies where the character acting as the god dies and then resurrects, a symbolic representation of the cycle of nature that dies in winter and resurrects in spring.
    GERGERI-9306.jpg
  • At the end of the festival, everyone takes part in a circle dance at the center of Gergeri village.
    GERGERI-9368.jpg
  • Bear-friends. At the end of Apokriyomata festival, two men dressed in the bear-men costumes walk down the road hugging and with big smiles on their faces, reflecting the mood of the day.
    GERGERI-9461.jpg
View: 100 | All
  • Facebook
  • Twitter
x

androniki christodoulou PHOTOGRAPHY

  • PORTFOLIO
  • VIDEO
  • PHOTO FEATURES +
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area
  • ABOUT
  • CONTACT